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A Stream of Consciousness Response: Jay Carlon’s ‘Out of Bounds’ at ACBH,...

Sunday, Oct. 8, 4:48 PM It feels a little strange to tell the concierge at the Annenberg Community Beach House I’m here for the performance. I go to the beach all the time—almost every day; my husband...

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“Rather This, Then” by Jermaine Spivey and Spenser Theberge — A Transcript...

“This isn’t the thing. Please, don’t worry,” Spenser Theberge assured entrants to Navel LA, a lofted arts incubator and event space. He talked as he unwound and pressed down masking tape in a perimeter...

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On ‘ROSEWOOD’: Fragility, Beauty, and Thorns

By Lara Wilson and Belle Jessen Known as a venue for plays, The Odyssey Theatre on Sepulveda first introduced a dance season in 2017; they commissioned the work of three Los Angeles...

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How to tell the untold with CARLON

To unlock our web features, subscribe for a minimum of $2 per month on Patreon.To view this content, you must be a member of { DIYdancer } Magazine's Patreon at "Let's Get Digital" or higher tier...

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A Centennial Conversation: ‘Night of 100 Solos’

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The Feminine Language in Barak Ballet’s “New Repertoire”

Words by Lara Wilson | Images by Cheryl Mann About a year ago, I stopped reading fiction written by men for awhile. What I saw in Andrea Schermoly’s Within Without, as part of Barak Ballet’s “New...

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